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Emily's Ansel Adams

Page history last edited by emily.schworer@richmond.edu 14 years, 6 months ago

I was attracted to the photograph “Moonrise, Hernandez, New Mexico” by Ansel Adams because the balance of dark and light was not what I would have expected from a typical landscape.  When thinking about a nature scene, the colors that usually come to mind are green or blue.  However, the black sky with no clouds drew me into the photograph.  The dark sky allows for other aspects of the photograph to have emphasis.  Just because there is a lack of color, does not mean that the picture is missing anything.  Although some may believe “A black and white photo framed and carefully shot by a master photographer, does not capture what is really in nature”, the elimination of color actually emphasizes the other aspects of nature including texture, contrast of light and form that the viewer tends to overlook.  

 

The appearance of texture in different elements of the photograph adds to the feeling of nature that has been captured.  It is easy to be distracted by color and not notice the contrasting textures in a photograph.  It can be possible to see that a mountain range appears rough and rigid while the picture is still in color, but how closely are you really looking at it?  By eliminating color the eye can focus on the differences between the smooth sky, the stony mountains, and the dry grasses.  Indeed it takes a master photographer to capture all of these elements in one photograph.  It would be simple to focus on just a rugged rock and photograph that, but the combination of the textures truly makes the scene remarkable and in no way lacks a sense of nature due to being in black and white.    

 

Without color you can look at all the other elements of nature equally.  Since the moon does not shine brighter than other aspects of the picture, it allows the viewer to notice that it is a focal point, but then move on from there.  The eye isn't constantly distracted by one object that stands out.  Instead the eye can focus on different parts of the photograph that all have elements of the beauty of nature.  In the "Moonrise, Hernandez, New Mexico" the mountains in the background can be focused on, as well as the town in the foreground.  If in color, the mountains could potentially fade into the background and the viewer would miss out on their magnificence.  The lack of color also allows the town to not look out of place.  The colors of the man-made buildings and graves have the potential to take away from the balance of contrasting light and color nature provides.  Instead the town blends into the natural scene surrounding it.  It would not have the same effect if the background had a completely different color palette than the foreground.  Attaining the contrast of light in this black and white scene allows the viewer to see beyond what they would have, had the natural scene been in color.         

 

Capturing the form of the scene can be another missed element of nature when looking at a landscape in color.  The way the pieces of nature work together creates a sense of balance that intrigues the viewer.  The black and white keeps the focus on the shapes and how they play-off each other in the landscape.  Color tends to blend the boundaries of shape, while black and white sharpens those boundaries.  The viewer may potentially become so distracted by the appealing colors they don't even notice how the specific placement of elements in a photograph creates a sense of balance.  This greatly impacts the viewer's experience.  Elements can be simple and boring when not presented in a clear or captivating way; however, when they are assembled in an interesting way the result can be breathtaking.  "Moonrise, Hernandez, New Mexico" shows how Ansel Adams can take five simple elements including the sky, moon, mountains, a field and town and combine them in a way that creates an amazing spectacle of nature.  

 

Looking deeply into a photograph, past the simple elements, it becomes possible to get a sense of what the photographer wants to capture.  Breaking down the different elements of the photograph is important, but looking at the piece as a whole can really give a good sense of what the artist wanted to get across.   After viewing Adams' photographs I find it hard to believe someone would agree, "A black and white photo framed and carefully shot by a master photographer, does not capture what is really in nature”.   Ansel Adams had no trouble capturing nature in  "Moonrise, Hernandez, New Mexico" or in any of his other black and white photographs for that matter.  He looked more deeply into what the idea of nature really means and was able to showcase nature from a different point of view.  It could be argued that the black and white photos not only capture what is really in nature, but go as far as enhance it.  

 

 

 

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Comments (4)

Joe Essid said

at 7:08 pm on Sep 24, 2009

Some specific stylistic and rhetorical advice:

--Nicely argued. I think I'd add a bit to your final sentence of the first paragraph to give the reader that sense of "promises" in the thesis. For instance, are the "other aspects" texture and contrast of light? I'd say them (and if there are more as you work on this, add them). That way, the reader gets a governing claim that provides a "roadmap" for the paragraphs to come.

--"is what drew me" note how cutting the "is what" does no damage to your meaning and makes the sentence economical and more forceful.

--you want "focal point," not "vocal point."

Joe Essid said

at 9:31 am on Sep 28, 2009

Some more sentence-level goodies:

--"Looking deep into a photograph..." I won't clobber you for this. Still, think about it for later, when I get pickier and pickier. You look "deep into a lake or a cave." But "looking deeply" is how you look at a two-dimensional photograph. That means you are studying it intently, not literally peering into the depths.

--"there are other aspects of nature including texture, contrast of light and the form that are often overlooked that can be focused on with the elimination of color."

This is a powerful claim. I wonder, however, if it is not losing some power because it has two weak verbs (Two "are" verbs and a rather vague "can be focused on") instead of some punch with ACTION verbs. I'm going to ask my 383 class to do an experiment. They'll all play with this sentence and we'll post our suggested "power claims" here. You can chose the one you like, or use one as the basis for your revision!

Joe Essid said

at 2:37 pm on Sep 28, 2009

Emily,

Here are some revisions to that sentence from Eng. 383. Take them with a grain of salt--you don't want your governing claim changed.

Danny & Hannah:


"By eliminating color, the viewer is able to focus on several aspects of nature such as texture and the contrast of light and form."


Brittany & Sarah:

Although some believe the value of a photo rests in its hues, the absence of color in Ansel Adams’ work asserts otherwise. By eliminating color, he illustrates to the viewer often overlooked aspects of nature such as texture, contrasts of light, and form.

Steven & Liz:

Although some may believe, "a black and white photo framed and carefully shot by a master photographer, does not capture what is really in nature," the elimination of color actually emphasizes other aspects of nature that
are often overlooked, such as texture, the contrast between light and shadow, and form.


...we would also suggest that she should explain what she means by "form" later on in her paper (it's a suitcase word)


Katie & Ray:

By limiting the photo to black and white, the photographer emphasizes aspects of nature such as texture, the contrast between light and dark, and form. Color sometimes skews these elements of the photograph, causing viewers to overlook these facets.

Larry, Shane, and Keely:

The elimination of color allows a photographer to capture frequently overlooked characteristics of nature including texture, contrast, and form.

Caroline R said

at 9:15 pm on Oct 1, 2009

Emily,
I really like your claim! Your essay seems well developed. I enjoyed reading it!

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